I think I'll hang on to that day job...

Isn't this lovely? It is not one of my creations, but a free pattern found here. There is one dress for each month of the year (this is the March dress) all in 50s style. A friend of mine sent me the link yesterday, and I've been thinking about them ever since. These dresses are from a time when my mother was a young girl. She's about to retire from work this autumn, and I was thinking that a quilt, wallhanging or something with these dresses might be a fittingly nostalgic present for her. Or maybe I'll just stitch them and keep them for myself... Or make one set for me and one for her! They are not too complicated, and shouldn't take too much time to stitch, hm... tempted!
But first things first, there is a kite quilt to finish. It is coming along nicely, but it is a good thing that I don't do this for a living: with all the frogging I have had to do on this project, I would never have made enough of an income to keep myself in the style I'm accustomed to :-D I have persevered though, and I can safely say that I have got the hang of this foundation piecing thing again, for now... I think it will be a while before I try it again, and by then I will probably have forgotten how to do it and will have to start all over again.
Never mind, I have finished all the blocks now and joined them to the background pieces, so I have five strips of blocks laid out ready to be stitched to the narrow strips that go in between. As long as I manage to get some quality time with my sewing machine tomorrow, I'll manage to get those finished as well and I can start assembling the quilt top. So far I'm confident that I will manage to complete the quilt before August 10th, to present it to the birthday boy.









Here's a close-up of the floral fabric. As I was photographing it, it occured to me that although in my mind this has been my "Café de Paris-fabric" ever since I bought it, those words are nowhere to be found on the fabric. There are several French-sounding café-names, though, but my mind seems to have played a trick on me - oh well, I could just call it my café-quilt, I suppose...


This is one of the projects I'm working on at the moment. I fell in love with (can one fall in love with fabric?) the Café de Paris print in the foreground with flowers and café signs - very romantic! - and bougt several yards of it. I'm making a lap quilt with six blocks with big appliqué hearts set on point, alternating with blocks of the café print and with sashing in between that will give the effect of a trellis lying on top of the blocks - sort of a 3D effect - I hope... I have only one heart left to appliqué and then I'll start stitching the whole thing together.







The picture at Martha's reminded me of long summer days in the country with my grandparents when I was a child. On Saturdays we kids used to walk to the nearest farm and use our allowance to buy left over tomatoes from the weeks pickings. Our fistful of brown coins would be exchanged for a big brown paper bag filled to the limit with these lovely juicy "sweets" in all sorts of odd shapes and shades. I can still remember the taste when biting into a tomato still warm from the sun: like liquid sunshine. We'd start eating them on our way home (in spite of gran's instructions to wait until after dinner) and by the time we got back we'd have little room left for dinner. We'd have tomatoes with our lunch for the rest of the week, but nothing could rival that first bite on the way home. Forbidden fruit, mmm ;-) But I digress - I was talking about pincushions. I also recieved one from the same exchange. A lovely star-shaped one with lots of machine embroidered details:
The yellow and green fabrics are bali fabrics with a gold scroll print on top on one side, which really gives you two different fabrics to play with (I have the same one in pink and turqoise, that's why I know!) and here it is used to great effect with the gold side out on one side of the pincushion and the "plain" side (which really is the most beautiful one) on the other side. What a lucky girl I am - thank you Camilla! 








I am working on the teapot one as a present for a friend, 










only to realise that I was supposed to quilt only the top fabric and batting, and leave the lining to stitch the inner pockets on, before I sew the quilted piece and the lining together. Sigh! This is why I usually don't use patterns. No way am I taking the quilting stitches out, and a new separate lining is no option. I wont hide the great "Drama Queen" fabric from Michael Miller designs, so new solutions are called for.
I will try to stitch the outer pockets on through all the layers and the inner pocket will be stitched on by hand through lining and batting so the seam doesn't show on the outside. I will have to add binding strips along the edges, but I think I might make it work. And it will be my very own version of something that started out as a standard pattern. Who cares! I think I might prefer the bag this way actually - no loose floppy lining and a much firmer bag will be the result. I think. At least that's my story and I'm sticking to it!


